Black and white channel filters
A coloured filter on black-and-white film let its own colour through and held the opposite back. In a picture that is already digital the same thing is three weights, and that is all it is.
A filter is a channel mix
Each preset is a weighted sum of a pixel's linear red, green and blue light, normalised so the weights add to one, carried back onto OKLab lightness. Weight red heavily and anything red becomes light while anything blue — the sky — becomes dark, which is the red filter's famous dark sky.
| Preset | Weights | In short |
|---|---|---|
| Neutral | perceptual L | Perceptual lightness (OKLab L): every colour keeps the lightness it appears to have. |
| Red | 0.85 · 0.15 · 0.00 | Darker blue skies and greenery, lighter skin and lips; the classic landscape filter. |
| Orange | 0.60 · 0.35 · 0.05 | Between red and yellow: skies darken, skin smooths, haze is cut. |
| Yellow | 0.45 · 0.50 · 0.05 | A moderate darkening of blue sky; foliage and skin stay close to neutral. |
| Green | 0.20 · 0.70 · 0.10 | Lighter foliage, darker reds; skin gains tone and freckles show. |
| Blue | 0.10 · 0.25 · 0.65 | Haze and blue skies go pale, reds and skin go dark, freckles stand out. |